Commercials, late-night performances, documentaries, animation, and music videos. Pick a lane or watch it all.
Nothing here yet.
A three-part Hulu series for the Ram TRX launch, starring big trucks, Brian Thomas Smith (The Big Bang Theory, Bad Monkey, Shrinking), and one very committed inflatable gorilla.
What we did
Full Production & Services, Casting, Direction
Grant Achatz, the Michelin-starred chef behind Alinea, lost his sense of taste to tongue cancer. Over three episodes, he and oncology therapist Abby Geiser talk through the fight and cook three recipes worth fighting for.
What we did
Full Production & Services, Direction
Mississippi State wanted a brand film that felt like campus, not a brochure. The judges agreed: it took home a CASE Circle of Excellence Gold.
What we did
Full Production & Services, Direction & Post
A psychedelic bolero deserves a video to match: a smoky lounge, one perfectly timed tear, and a singer surrounded by her own floating heads.
What we did
Concept, Full Production & Post
When late-night couldn't bring bands into the studio, the performances had to be made somewhere else. We built and shot this one for Colbert and delivered it on network deadline.
What we did
Concept, Full Production & Services, Direction & Post
Amazon handed us a raw performance and asked for a documentary to go with it. We shot in Nashville, where the record was made, and Fort Worth, where Leon calls home, then wove it all into one of our favorites.
What we did
Documentary Production, Direction & Post
Twenty years after "Suddenly I See," Amazon sent us to Santa Fe to watch KT Tunstall rebuild the song from scratch, layer by layer.
What we did
Documentary Production, Direction & Post
We built a concert from the ground up: the set, the video wall, and everything on it, including a Cadillac cruising the city. Then five cameras, 70 invited guests, and one very lucky room.
What we did
Show Production, Content Production, Direction & Post
Brittney Spencer took the stage at Jack White's Blue Room in Nashville for an intimate, invite-only crowd. We designed the set, built the night around her, and shot it for Amazon Music's Songline.
What we did
Set Design, Show Production, Full Production & Services, Direction & Post
CCP can't show the kids it protects, so we built one composite story from several real cases, told by the people who lived them. It played right before the gala auction, and the night raised over $2M.
What we did
Concept, Writing, Full Production, Direction & Post
Three years running, we made every video for Creative Action's Magic Maker's Bash, the gala that keeps kids creating after school and all summer. New theme every year. Here: magic under the sea, and plain old magic.
What we did
Concept, Writing, Animation
Don't Mess With Texas threw a secret Black Pumas show the day before their historic five-night run at Stubb's. We shot that, then all five nights on five cinema cameras. The spot ran statewide for a year, and our footage made NBC's July 4th broadcast.
What we did
Full Production, Direction & Post
Every office has a loud guy. Poly makes the gear that keeps him from wrecking your call. Two spots of workplace horror, played for laughs.
What we did
Full Production, Direction & Post
Caliber's top brass were good sports, lip-syncing to reworked versions of chart hits we produced, across four themed vignettes shot on a volume wall. The originals stay in the room, so here's the highlight reel.
What we did
Full Production & Services, Set Design, Direction, Song Production
The holidays happened. Retro Fitness wanted people off the couch, so we wrote a song, built a set, cast the perfect hero, and put real dancers behind her. Then we introduced the squad: five 30-second character spots, one gym legend at a time.
What we did
Concept, Writing, Songwriting & Production, Full Production & Services, Choreography, Casting & Post
Small budget, big ask. We turned real Austin business owners into the stars of a very funny series, and registrations doubled.
What we did
Concept, Writing, Full Production & Post
America's home of Formula 1 handed us a decade of race footage and asked for five minutes of pure adrenaline, made to play in the suites on race weekend.
What we did
Research, Edit, Animation, Sound & Color
For April Fools', GSD&M dreamed up the Trucker Cover. On a last-minute timeline, we handled everything else and made it look like a real launch.
What we did
Full Production & Services, Direction
WiTricity wanted drivers to ditch the plug for wireless charging. We wrote the ideas, called our friends at Cream to animate them, and the social campaign tripled brand awareness.
What we did
Concept, Writing, Animation & Post
Student housing that students actually love, told by the people who live there.
What we did
Full Production & Services, Casting, Direction & Post
Dayglow wanted a bright, colorful world he could walk through, so we built one. Then we took the song to Fallon. Fun fact: our Steadicam operator worked on RoboCop.
What we did
Full Production & Services, Direction & Post
Just Paul Cauthen, a guitar, a piano, and an empty room at Austin's storied Arlyn Studios, streamed live to his fans. We built a circular dolly track all the way around the piano so the camera could orbit him again and again. Best seat in the house, if you don't get dizzy.
What we did
Full Production & Services, Direction & Post
Lukas Nelson brought the band, we brought the cameras, and Kimmel got a performance worth staying up for.
What we did
Full Production & Services, Direction & Post
A voice like Abraham Alexander's doesn't need much help. We set up at Adrian Quesada's Electric Deluxe Recorders, stayed out of its way, and let the camera lean in when it mattered.
What we did
Full Production & Services, Direction & Post
It was October and we were in the mood for old scary stuff, so we binged '80s horror, pitched Cody a vampire video, and he was all in. Shot in a chapel over two overnights.
What we did
Concept, Writing, Full Production & Services, Direction & Post
One of three music videos we made for Jon, and the most personal: his journey from Uganda to America. We couldn't get to Uganda, so we brought it to life with illustration and animation.
What we did
Concept, Full Production, Direction & Animation
Sarah & The Sundays live together, so we brought the studio home, turning every room on the first floor into a set for a four-song live session series. "The Cue" is one of the four.
What we did
Full Production & Services, Direction & Post
A love letter to '90s hip-hop and R&B videos. Eric Burton lounges around a vintage house, waiting on a special delivery from Mrs. Postman, in full mail-carrier uniform.
What we did
Concept, Full Production, Direction & Post
Briscoe make harmony-rich Texas folk that sounds best with nothing in the way. No audience, just the band in the studio. "Wild Thing" is one of five songs we captured.
What we did
Full Production & Services, Direction & Post
Black Pumas' first live session, and the one that took off. "Colors" has been watched more than 311 million times, and counting.
What we did
Full Production, Direction & Post
With Parks Communication, we made survivors of serious illness, and the parents and caretakers beside them, the heroes. Featuring Matthew McConaughey, Mack Brown, and Jack Ingram. It played at a gala that raised over $20M.
What we did
Concept, Full Production, Direction & Post
When floods tore through the Texas Hill Country, Band Together Texas answered with a benefit concert that raised $8.5 million. Alongside several filmmaking crews, we delivered eight short documentaries in a few weeks, each telling the story of the people the night was for.
What we did
Creative Direction, Research, Edit
A high-octane edit built to raise NIL money for Texas athletes.
What we did
Full Production, Direction & Post
